SILVER STREET POETRY
We’re delighted to announce that Silver Street Poetry has held its first open mic session at Hours in Colston Yard, and that we have settled very happily into our new home.
Hours is situated in Colston Yard, off Colston Street. The room we are using is on the ground floor and is fully accessible, as is the WC.
The full address is 10 Colston Yard, Bristol, BS1 5BD, and the nearest affordable car parks are at Trenchard Street (0.2 miles) and the Galleries in Broadmead (0.5 miles). It is 0.4 miles from the bus station.
Our sessions are held on the first Friday of each month, from 12 to 1.30pm.
If you aren’t sure of the exact location of Colston’s Yard is, fear not: here is a map.
The entrance to the Yard is pictured below.
Guest readers at Silver Street over the coming months include:
Friday 5th July – Lucy English, reading from the book of her award-winning project, The Book of Hours
Friday 6th September – David Briggs, reading from his new poetry collection
Friday 4th October – Deborah Harvey, reading from her fourth poetry collection, The Shadow Factory
Friday 1st November – Chaucer Cameron of Elephant’s Footprint and Poetry Film Live
Friday 6th December – Rachael Clyne, reading from her pamphlet, Girl Golem
Friday 3rd January – Dawn Gorman, reading from her new collection, Instead, Let Us Say
Friday 7th February 2020 – Sue Sims, reading from her collection, Splitting Sunlight
Friday 6th March – Chrissie Gittins
Friday 3rd April – Ross Cogan, Creative Director of Cheltenham Poetry, reading from his collection, Bragr
THE LADIES AND GENTLEMEN OF THE DEAD
We’re delighted that the first collection of poems by Leaping Word poetry group member Dominic Fisher has now been published by The Blue Nib, price £10.
Dominic will be giving readings from The Ladies and Gentlemen of the Dead around the country over the coming months.
PRACTISING WHAT WE PREACH
So pleased here at the Leaping Word that ‘Oystercatchers’, a poem by our very own Deborah Harvey, has just come home with a shiny penny in its pocket, having been awarded first prize in the 2018 Plough Prize Short Poem Competition.
Of the competition, Judge Pascale Petit says: ‘I love short poems, but I know how hard they are to write, so it was with trepidation that I read this longlist. I need not have worried – the under-ten-liner is in good health. The challenge is to go as far as in a long poem, without the length! It’s all about compression and impact, making words as elastic as possible.
‘Oystercatchers’ does just that – every word is weighted. In ten short lines I see a figure like Leonora Carrington’s ‘The Giantess’, a powerful and spare enigma of a woman, oystercatchers, (with their red bills and legs), and blood cells. Although nothing is explicit, something important is being enacted, and the epigraph by Camus adds an anchor, so that we guess his are the words being taken to the sea and released from the heart. I kept coming back to this and getting more from it.’
The Leaping Word would like to extend its congratulations to the other winners in both categories of the 2018 competition, the Open and the Short Poem, and to all the short- and long-listed poets.
‘Oystercatchers’ will be included in Deborah’s forthcoming collection, The Shadow Factory, to be published by Indigo Dreams Publishing later this summer.
And to prove we like to practise what we preach at the Leaping Word, here’s Colin with his certificate for winning the individual prize in the City of Bristol College Creative Writing Competition, with a poetic-prose piece called MIAOWWW!
Colin says: ‘Black cats evoke magic, mystery, music, night-time and a cool lyric! I played around with these elements and Miaowww! gradually appeared… magical realism, Filton style.’
WRITING GROUPS
We are waiting for news of our funding application for our intermediate and starter writing groups. Groups will have an emphasis on writing for mental well-being. If this might be of interest to you, please check back in due course for further details.
PUBLISHING NEWS
We’re delighted to announce that Leaping Word poetry group member Dominic Fisher has followed his success in the 2018 Bristol Poetry Prize by securing a publishing contract with The Blue Nib for his forthcoming collection, The Ladies and Gentleman of the Dead. Well done, Dominic!
Good poets reinvent the language, taking the given of ordinary speech and pushing it beyond itself, making in effect a translation from one sense of reality to another.
Jay Parini
